The True Tragic Hero in Sophocles Antigone Essay Example For Students

The True Tragic Hero in Sophocles Antigone Essay In Master Sophocles Antigone, the question of who the tragic hero really is has been a subject of debate for a great number years. Creon does possess some of the qualities that constitute a tragic hero but unfortunately does not completely fit into the role. Antigone, however, possesses all the aspects of a tragic hero. These are, in no particular order, having a high social position, not being overly good or bad, being tenacious in their actions, arousing pity in the audience, a revelatory manifestation, and having a single flaw that brings about their own demise and the demise of others around them. Antigone possesses all of these traits therefore qualifying as the tragic hero. We will write a custom essay on The True Tragic Hero in Sophocles Antigone specifically for you for only $16.38 $13.9/page Order now The first qualifying aspect is that Antigone is of a high social standing in Thebes. Creon himself refers to her as a princess though she is technically no longer one. Because of her high standing she is capable of great suffering, in that she has a lot of fame and regard to lose. Those who say Creon is the tragic hero state say that Antigone is no longer in a high position in the society, therefore does not qualify on that account. If the character had needed to be in a high political position this would be true, but they need only have a great deal to lose in their downfall. Although she may no longer hold political power Antigone is still a powerful figure in Thebes, since she was to be married to Creons son Haemon and the whole city seemed to know how tragic her life had become. Antigone and Creon would qualify as the tragic hero if the only requirement was not being overly good or bad. Creon shows his negative side when he refuses to bury Polyneices and when he speaks to the sentry. His positive side is shown in his obvious affection for Antigone and Ismene, whom he has attempted to raise since their fathers death. Antigones ungodly side is shown by her incestuous behavior with her brother Polyneices. Her positive side is shown by the way the she insists on respecting his right to be buried in the religious tradition of Greece so that his soul may live on in the afterlife. Another aspect of a tragic hero is an unwavering course of action, most likely caused by their flaw, that brings about their demise and the demise of those around them. Antigones flaw is her rash and headstrong behavior. This is the source of the conflict in the play. Had Antigone asked Creon for permission to bury Polyneices in observance of the Greek role in religious life he would have probably allowed it. Instead, she rashly decided to take matters into her own hands, most likely because of her anger in losing the true love of her life. This aspect also emerges later in the play, when Antigone decides to kill herself in the cave rather than give Creon the satisfaction of the deed. Had she not been so imprudently hasty she would have been spared her life by Creon, who was on his way to free Antigone and have Polyneices given a proper burial. Creon does not have a tenacious nature, and therefore could not be the Aristotelian tragic hero. His ineptness as a ruler is prevalent in the way he wavers on the topic of Polyneices burial. In the beginning he seems very stubborn, which some say is one of the fatal flaws that qualify him as a tragic hero, but later changes his mind. The true tragic hero would stick to their fatal flaw, like Antigone did, until their complete demise. .uf067727017770d37a04cb32fde209761 , .uf067727017770d37a04cb32fde209761 .postImageUrl , .uf067727017770d37a04cb32fde209761 .centered-text-area { min-height: 80px; position: relative; } .uf067727017770d37a04cb32fde209761 , .uf067727017770d37a04cb32fde209761:hover , .uf067727017770d37a04cb32fde209761:visited , .uf067727017770d37a04cb32fde209761:active { border:0!important; } .uf067727017770d37a04cb32fde209761 .clearfix:after { content: ""; display: table; clear: both; } .uf067727017770d37a04cb32fde209761 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uf067727017770d37a04cb32fde209761:active , .uf067727017770d37a04cb32fde209761:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uf067727017770d37a04cb32fde209761 .centered-text-area { width: 100%; position: relative ; } .uf067727017770d37a04cb32fde209761 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uf067727017770d37a04cb32fde209761 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uf067727017770d37a04cb32fde209761 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uf067727017770d37a04cb32fde209761:hover .ctaButton { background-color: #34495E!important; } .uf067727017770d37a04cb32fde209761 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uf067727017770d37a04cb32fde209761 .uf067727017770d37a04cb32fde209761-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uf067727017770d37a04cb32fde209761:after { content: ""; display: block; clear: both; } READ: Making Fun of Optimism Religion and Greed EssayAs far as the issue of arising pity in the audience and in other characters, it is clear that Antigone clearly wins over Creon in the arena of intensity of emotion. All of Thebes sympathizes with Antigone, especially after she has been sentenced to death. Haemon himself tells his father And I have heard them, muttering and whisperingThey say no woman has ever, so unreasonably, died so shameful a death for a generous act. It is obvious that she had the pity of the entire city except for Creon. Creon, however, is . The True Tragic Hero in Sophocles Antigone Essay Example For Students The True Tragic Hero in Sophocles Antigone Essay The True Tragic Hero in Sophocles Antigone In Master Sophocles Antigone, the question of who the tragic hero really is has been a subject of debate for a great number years. Creon does possess some of the qualities that constitute a tragic hero but unfortunately does not completely fit into the role. We will write a custom essay on The True Tragic Hero in Sophocles Antigone specifically for you for only $16.38 $13.9/page Order now Antigone, however, possesses all the aspects of a tragic hero. These are, in no particular order, having a high social position, not being overly good or bad, being tenacious in their actions, arousing pity in the audience, a revelatory manifestation, and having a single flaw that brings about their own demise and the demise of others around them. Antigone possesses all of these traits therefore qualifying as the tragic hero. The first qualifying aspect is that Antigone is of a high social standing in Thebes. Creon himself refers to her as a princess though she is technically no longer one. Because of her high standing she is capable of great suffering, in that she has a lot of fame and regard to lose. Those who say Creon is the tragic hero state say that Antigone is no longer in a high position in the society, therefore does not qualify on that account. If the character had needed to be in a high political position this would be true, but they need only have a great deal to lose in their downfall. Although she may no longer hold political power Antigone is still a powerful figure in Thebes, since she was to be married to Creons son Haemon and the whole city seemed to know how tragic her life had become. Antigone and Creon would qualify as the tragic hero if the only requirement was not being overly good or bad. Creon shows his negative side when he refuses to bury Polyneices and when he speaks to the sentry. His positive side is shown in his obvious affection for Antigone and Ismene, whom he has attempted to raise since their fathers death. Antigones ungodly side is shown by her incestuous behavior with her brother Polyneices. Her positive side is shown by the way the she insists on respecting his right to be buried in the religious tradition of Greece so that his soul may live on in the afterlife. Another aspect of a tragic hero is an unwavering course of action, most likely caused by their flaw, that brings about their demise and the demise of those around them. Antigones flaw is her rash and headstrong behavior. This is the source of the conflict in the play. Had Antigone asked Creon for permission to bury Polyneices in observance of the Greek role in religious life he would have probably allowed it. Instead, she rashly decided to take matters into her own hands, most likely because of her anger in losing the true love of her life. This aspect also emerges later in the play, when Antigone decides to kill herself in the cave rather than give Creon the satisfaction of the deed. Had she not been so imprudently hasty she would have been spared her life by Creon, who was on his way to free Antigone and have Polyneices given a proper burial. Creon does not have a tenacious nature, and therefore could not be the Aristotelian tragic hero. His ineptness as a ruler is prevalent in the way he wavers on the topic of Polyneices burial. In the beginning he seems very stubborn, which some say is one of the fatal flaws that qualify him as a tragic hero, but later changes his mind. The true tragic hero would stick to their fatal flaw, like Antigone did, until their complete demise. .ucc52b6449fda78cb7656ad34a7600993 , .ucc52b6449fda78cb7656ad34a7600993 .postImageUrl , .ucc52b6449fda78cb7656ad34a7600993 .centered-text-area { min-height: 80px; position: relative; } .ucc52b6449fda78cb7656ad34a7600993 , .ucc52b6449fda78cb7656ad34a7600993:hover , .ucc52b6449fda78cb7656ad34a7600993:visited , .ucc52b6449fda78cb7656ad34a7600993:active { border:0!important; } .ucc52b6449fda78cb7656ad34a7600993 .clearfix:after { content: ""; display: table; clear: both; } .ucc52b6449fda78cb7656ad34a7600993 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ucc52b6449fda78cb7656ad34a7600993:active , .ucc52b6449fda78cb7656ad34a7600993:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ucc52b6449fda78cb7656ad34a7600993 .centered-text-area { width: 100%; position: relative ; } .ucc52b6449fda78cb7656ad34a7600993 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ucc52b6449fda78cb7656ad34a7600993 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ucc52b6449fda78cb7656ad34a7600993 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ucc52b6449fda78cb7656ad34a7600993:hover .ctaButton { background-color: #34495E!important; } .ucc52b6449fda78cb7656ad34a7600993 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ucc52b6449fda78cb7656ad34a7600993 .ucc52b6449fda78cb7656ad34a7600993-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ucc52b6449fda78cb7656ad34a7600993:after { content: ""; display: block; clear: both; } READ: Albert Einstein Essay About Birth ControlAs far as the issue of arising pity in the audience and in other characters, it is clear that Antigone clearly wins over Creon in the arena of intensity of emotion. All of Thebes sympathizes with Antigone, especially after she has been sentenced to death. Haemon himself tells his father And I have heard them, muttering and whisperingThey say no woman has ever, so unreasonably, died so shameful a death for a generous act. It is obvious that she had the pity of the entire city except for Creon. Creon, however, is not sympathized with at all except for the chorus, which always agrees with the last point of view presented. Some readers may be inclined to side with him, but the entire city is opposed to him during the play disqualifying him as the tragic hero. Another issue that has been brought up in the . The True Tragic Hero in Sophocles Antigone Essay Example For Students The True Tragic Hero in Sophocles Antigone Essay In Master Sophocles Antigone, the question of who the tragic hero really is has been a subject of debate for a great number years. Creon does possess some of the qualities that constitute a tragic hero but unfortunately does not completely fit into the role. Antigone, however, possesses all the aspects of a tragic hero. These are, in no particular order, having a high social position, not being overly good or bad, being tenacious in their actions, arousing pity in the audience, a revelatory manifestation, and having a single flaw that brings about their own demise and the demise of others around them. Antigone possesses all of these traits therefore qualifying as the tragic hero. We will write a custom essay on The True Tragic Hero in Sophocles Antigone specifically for you for only $16.38 $13.9/page Order now The first qualifying aspect is that Antigone is of a high social standing in Thebes. Creon himself refers to her as a princess though she is technically no longer one. Because of her high standing she is capable of great suffering, in that she has a lot of fame and regard to lose. Those who say Creon is the tragic hero state say that Antigone is no longer in a high position in the society, therefore does not qualify on that account. If the character had needed to be in a high political position this would be true, but they need only have a great deal to lose in their downfall. Although she may no longer hold political power Antigone is still a powerful figure in Thebes, since she was to be married to Creons son Haemon and the whole city seemed to know how tragic her life had become. Antigone and Creon would qualify as the tragic hero if the only requirement was not being overly good or bad. Creon shows his negative side when he refuses to bury Polyneices and when he speaks to the sentry. His positive side is shown in his obvious affection for Antigone and Ismene, whom he has attempted to raise since their fathers death. Antigones ungodly side is shown by her incestuous behavior with her brother Polyneices. Her positive side is shown by the way the she insists on respecting his right to be buried in the religious tradition of Greece so that his soul may live on in the afterlife.Another aspect of a tragic hero is an unwavering course of action, most likely caused by their flaw, that brings about their demise and the demise of those around them. Antigones flaw is her rash and headstrong behavior. This is the source of the conflict in the play. Had Antigone asked Creon for permission to bury Polyneices in observance of the Greek role in religious life he would have probably allowed it. Instead, she rashly decided to take matters into her own hands, most likely because of her anger in losing the true love of her life. This aspect also emerges later in the play, when Antigone decides to kill herself in the cave rather than give Creon the satisfaction of the deed. Had she not been so imprudently hasty she would have been spared her life by Creon, who was on his way to free Antigone and have Polyneices given a proper burial. Creon does not have a tenacious nature, and therefore could not be the Aristotelian tragic hero. His ineptness as a ruler is prevalent in the way he wavers on the topic of Polyneices burial. In the beginning he seems very stubborn, which some say is one of the fatal flaws that qualify him as a tragic hero, but later changes his mind. The true tragic hero would stick to their fatal flaw, like Antigone did, until their complete demise. As far as the issue of arising pity in the audience and in other characters, it is clear that Antigone clearly wins over Creon in the arena of intensity of emotion. All of Thebes sympathizes with Antigone, especially after she has been sentenced to death. .ubf0c8a7538121f955cfa46be90f58eeb , .ubf0c8a7538121f955cfa46be90f58eeb .postImageUrl , .ubf0c8a7538121f955cfa46be90f58eeb .centered-text-area { min-height: 80px; position: relative; } .ubf0c8a7538121f955cfa46be90f58eeb , .ubf0c8a7538121f955cfa46be90f58eeb:hover , .ubf0c8a7538121f955cfa46be90f58eeb:visited , .ubf0c8a7538121f955cfa46be90f58eeb:active { border:0!important; } .ubf0c8a7538121f955cfa46be90f58eeb .clearfix:after { content: ""; display: table; clear: both; } .ubf0c8a7538121f955cfa46be90f58eeb { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ubf0c8a7538121f955cfa46be90f58eeb:active , .ubf0c8a7538121f955cfa46be90f58eeb:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ubf0c8a7538121f955cfa46be90f58eeb .centered-text-area { width: 100%; position: relative ; } .ubf0c8a7538121f955cfa46be90f58eeb .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ubf0c8a7538121f955cfa46be90f58eeb .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ubf0c8a7538121f955cfa46be90f58eeb .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ubf0c8a7538121f955cfa46be90f58eeb:hover .ctaButton { background-color: #34495E!important; } .ubf0c8a7538121f955cfa46be90f58eeb .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ubf0c8a7538121f955cfa46be90f58eeb .ubf0c8a7538121f955cfa46be90f58eeb-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ubf0c8a7538121f955cfa46be90f58eeb:after { content: ""; display: block; clear: both; } READ: Mark Twain Writings Essay Haemon himself tells his father And I have heard them, muttering and whisperingThey say no woman has ever, so unreasonably, died so shameful a death for a generous act. It is obvious that she had the pity of the entire city except for Creon. Creon, however, is . The True Tragic Hero in Sophocles Antigone Essay Example For Students The True Tragic Hero in Sophocles Antigone Essay Antigone, is the drama written by Sohpocles. There is still a great debate on who is the true tragic hero in Sophocles Antigone, Creon or Antigone. Many people believes that it must be Antigone, herself. This is because Antigone is an outstanding example of someone who did what she thought was right, while she was among fools, many hardships, and people who were discouragingly uncourageous. When the king Creon ordered that the body of Polyneices, Antigones brother, be left to rot unburied because he had died as a traitor, she tried to buried him even she knew that she would be punished. We will write a custom essay on The True Tragic Hero in Sophocles Antigone specifically for you for only $16.38 $13.9/page Order now She believed that a dead persons soul could not rest if that persons body was not buried so she chooses to challenge a powerful Creon, the king of Thebes in order to let her brother rest peacefully. This presents a huge problem for Antigone; she feels she must obey the laws of the gods and bury her brother, but the penalty would be earthly death. To me, Antigone is a hero, what she did for her brother was very respectful, not many could have the strength to do so in the same situation. However, I believe the true tragic hero in Sophocles Antigone is Creon, not Antigone. Creon, as king of Thebes, is at the top of the social ladder. Yet, not only is he king, he is also human and possesses frailties, which qualify him to make serious mistakes, and he possesses talents, which allow him also to excel. Hence, Creon is neither overly good nor bad. Appropriately, Creons station as king place shim in a position of great power, influence and responsibility. The extent of this power was quite evident when he sentenced Antigone to death for disobeying his proclamation. Creons tragic flaw was his hubris or his pride and arrogance in the face of divine powers. His downfall began when he denied the basic divine right of burial to Polyneices and was cemented when he condemned Antigone for her opposition to his law. When one closely examines Antigones reasons for burying her brother, it becomes clear that she was simply demonstrating her love, honor, and loyalty to her family. However, the reason that Creon is angered is that he feels injured and insulted that Antigone flagrantly and publicly disobeyed him. He was additionally inflamed that she was his niece and betrothed to his son, Haemon. Historically, when especially a woman threatens a mans authority,, his self-esteem is irreparably damaged. But he tired to fix the mistakes that he had made even he is a great king. The whole play is sad, it is make viewers feel anger and respectful. I do respect Antigone, but personally I respect Croen more since he is the king. With his such high position, he could still responsibly for his wrong actions. Bibliography: . The True Tragic Hero In Sophocles Antigone Essay Example For Students The True Tragic Hero In Sophocles Antigone Essay In Master Sophocles Antigone, the question of who the tragic hero really is has been a subject of debate for a great number years. Creon does possess some of the qualities that constitute a tragic hero but unfortunately does not completely fit into the role. Antigone, however, possesses all the aspects of a tragic hero. These are, in no particular order, having a high social position, not being overly good or bad, being tenacious in their actions, arousing pity in the audience, a revelatory manifestation, and having a single flaw that brings about their own demise and the demise of others around them. Antigone possesses all of these traits therefore qualifying as the tragic hero. We will write a custom essay on The True Tragic Hero In Sophocles Antigone specifically for you for only $16.38 $13.9/page Order now The first qualifying aspect is that Antigone is of a high social standing in Thebes. Creon himself refers to her as a princess though she is technically no longer one. Because of her high standing she is capable of great suffering, in that she has a lot of fame and regard to lose. Those who say Creon is the tragic hero state say that Antigone is no longer in a high position in the society, therefore does not qualify on that account. If the character had needed to be in a high political position this would be true, but they need only have a great deal to lose in their downfall. Although she may no longer hold political power Antigone is still a powerful figure in Thebes, since she was to be married to Creons son Haemon and the whole city seemed to know how tragic her life had become. Antigone and Creon would qualify as the tragic hero if the only requirement was not being overly good or bad. Creon shows his negative side when he refuses to bury Polyneices and when he speaks to the sentry. His positive side is shown in his obvious affection for Antigone and Ismene, whom he has attempted to raise since their fathers death. Antigones ungodly side is shown by her incestuous behavior with her brother Polyneices. Her positive side is shown by the way the she insists on respecting his right to be buried in the religious tradition of Greece so that his soul may live on in the afterlife.Another aspect of a tragic hero is an unwavering course of action, most likely caused by their flaw, that brings about their demise and the demise of those around them. Antigones flaw is her rash and headstrong behavior. This is the source of the conflict in the play. Had Antigone asked Creon for permission to bury Polyneices in observance of the Greek role in religious life he would have probably allowed it. Instead, she rashly decided to take matters into her own hands, most likely because of her anger in losing the true love of her life. This aspect also emerges later in the play, when Antigone decides to kill herself in the cave rather than give Creon the satisfaction of the deed. Had she not been so imprudently hasty she would have been spared her life by Creon, who was on his way to free Antigone and have Polyneices given a proper burial. Creon does not have a tenacious nature, and therefore could not be the Aristotelian tragic hero. His ineptness as a ruler is prevalent in the way he wavers on the topic of Polyneices burial. In the beginning he seems very stubborn, which some say is one of the fatal flaws that qualify him as a tragic hero, but later changes his mind. The true tragic hero would stick to their fatal flaw, like Antigone did, until their complete demise. As far as the issue of arising pity in the audience and in other characters, it is clear that Antigone clearly wins over Creon in the arena of intensity of emotion. All of Thebes sympathizes with Antigone, especially after she has been sentenced to death. .u161ba4f955c677759732215b82d2daaf , .u161ba4f955c677759732215b82d2daaf .postImageUrl , .u161ba4f955c677759732215b82d2daaf .centered-text-area { min-height: 80px; position: relative; } .u161ba4f955c677759732215b82d2daaf , .u161ba4f955c677759732215b82d2daaf:hover , .u161ba4f955c677759732215b82d2daaf:visited , .u161ba4f955c677759732215b82d2daaf:active { border:0!important; } .u161ba4f955c677759732215b82d2daaf .clearfix:after { content: ""; display: table; clear: both; } .u161ba4f955c677759732215b82d2daaf { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u161ba4f955c677759732215b82d2daaf:active , .u161ba4f955c677759732215b82d2daaf:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u161ba4f955c677759732215b82d2daaf .centered-text-area { width: 100%; position: relative ; } .u161ba4f955c677759732215b82d2daaf .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u161ba4f955c677759732215b82d2daaf .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u161ba4f955c677759732215b82d2daaf .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u161ba4f955c677759732215b82d2daaf:hover .ctaButton { background-color: #34495E!important; } .u161ba4f955c677759732215b82d2daaf .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u161ba4f955c677759732215b82d2daaf .u161ba4f955c677759732215b82d2daaf-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u161ba4f955c677759732215b82d2daaf:after { content: ""; display: block; clear: both; } READ: Emily Dickinson Essay Introduction Haemon himself tells his father And I have heard them, muttering and whisperingThey say no woman has ever, so unreasonably, died so shameful a death for a generous act. It is obvious that she had the pity of the entire city except for Creon. Creon, however, is .